Hanna Movie Review

the most disappointing thing about the Hanna is that the theater was not crowded: less than half full, and everyone has loved it. Opening night, no less. Maybe everyone went to see David Gordon Green Your Holiness instead? Even so, people who opted for the Your Holiness probably would not be appropriate for a variety of arthouse thriller directed by the man behind the Pride and Prejudice (2005) and Atonement (2007). This is purely speculation, as all tastes are different. I certainly will be when Your Holiness at some point, but I paid for. Therefore, it is probably debatable, too. Regardless, the fact that the theater has elbow room for me to store my bag in the second place, only a total of probably forty or so people ... It's a bit depressing.

First of all, Hanna is definitely a thriller, the fact that the arthouse thriller is almost irrelevant. The story is strong, the performances are jači.Najjači thing about the film is a return to form, type, for director Joe Wright, is not strictly speaking, as previously made ​​a career out of soft-spoken literary adaptations, but because of his last film, The Soloist (2009), was a critical and financial failure, so it's nice to see him swing in a new direction and give us back his strong directorial sensiblities. One of his trademark long shots accompanied with lots of action -. Elegy to recall the sequence of Dunkirk Atonement

Our story is a bit simple, until eventually all odvija.Mlada girl asked her father in the woods, a skilled assassin and longing for answers to the mystery of her past. Hanna (Saoirse Ronan) is a brilliant and "abnormal" and her father, Erik (Eric Bana), is equally adept. He was learning from her birth, while keeping her safe from the outside world. After the couple leave their cabin in the woods, a CIA agent named Marissa (played with steely brilliance Cate Blanchett) starts a deadly hunt for them. They are classified as dangerous to U.S. security and intelligence, and must be addressed. What began as one man, one day job soon turns into a bloodbath and secrets.

Last year, Trent Reznor of Nine Inch Nails fame is not the result of social networks, and Daft Punk recently created a masterpiece Tron scoring: Legacy. Here, the Chemical Brothers have once again increased both with his score for Hanna, partly by threatening tones meeting with beautiful harmonics and melodies that serve as set-pieces, setting the tone for one of the best musical scores in recent years. And this is just the tip of the technical iceberg, with beautiful nails and sharp editing and inspired by the beautiful cinematography (I grabbed a few Suspiria-infused imagery, as well as some inspired Walter Hill Warriors - it's easy to see that Joe Wright is a fan of the film).

may, however, the most impressive thing about this film is wildly impressive skills of the participants. Eric Bana says to me as the most powerful, commanding attention even when not on camera. His role is relatively small, but I wanted to watch it more often than not, his work is thorough and beautifully realized. Cate Blanchett plays her CIA aloofly as possible. It is important to note that this is not a bad thing, it should be indifferent to questions of the film close to the audience. A glimmer of humanity when it breaks through to the end, it was terrifying discovery would bring. Saoirse Ronan, having worked with Wright before, proves that she is definitely not a coincidence. Her Hanna is intense creation - a young girl is fighting for his life and liberty, all the while learning the ways of wild (and the real world), in one giant mash-up. It reveals the current, human sexuality and honesty of a real relationship, all on their own. I never thought when I watched an actor.

is also worth noting that Tom Hollander, an incredibly funny actor, turns into a terrifying performance as a hitman working for Blanchett undercover, hunting and Hanna to the fullest of his abilities. It adds an extra layer of surrealism to the film an unusually realistic. Even in scenes that take place in a fairytale setting, all we saw was deadly serious and brilliant choreography.

This will be a film that everyone will love, but it is a film everyone should see. Not for its importance in the world - will certainly be a little bit - but it winds up to two things at once: it is escapism at its highest form, and it's nice to say the story with more depth than the trailer would ever let on. Shame, too - perhaps your Highness the crowd could get into this place